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More dark (ish) electro and techno, this time at a comfortable (and later aggressive) 130. Most of these are old tracks, with the exception of one from March of this year on Brokntoys.

This mix is no longer available for download from this website. It is however available at mixcloud.

1. NNYNYX / Moruge 00:00
2. Morah / Coma Verenices 03:41
3. Jean-Louis Huhta / Viva La Differenze! 07:50
4. Mystic Letter K / Yet 2 B 11:11
5. Cosmic Force / Melancholie 15:56
6. Ectomorph / Slither 18:25
7. Dietrich Schoenemann / Untitled [E-SERIES01 B2] 21:28
8. Boris Divider / Wireframe Reality 26:18
9. Mono Junk / System Night (Original Mood Mix) 30:01
10. Transparent Sound & Scape One & Karoshi / You Get Inside My Mind 33:07
11. Weith / Illusion Of Separation 36:05
12. The Pulse Projects / Ice Cold Funk Series_004 40:18
13. Perm / AII 43:32
14. The Exaltics / Ten Days 46:31
15. SC-164 / Seperate Follower (Sync 24 Remix) 50:58
16. Cultek / Excessive Frequency 54:34
17. ScanOne / Darkdub 61:14

The one new (from 2021) track here is #11 Illusion Of Separation by Weith. That's one of two Brokntoys pieces include here, the other being Morah's Coma Verenices. Weith's track is listed as subscriber-exclusive; a subscription to Brokntoys isn't too expensive, and is (in my opinion) well worth it.

Both track #14 Ten Days by The Exaltics and track #15 Seperate Follower (Sync 24 Remix) are from Sync 24's label Cultivated Electronics. Track #16 is an old one by Sync 24 and Rob Smith, and was released on the SUBsidence compilation on Touchin' Bass back in 2005. That means the 15 minute span from 46:00 thru 61:00 is all somehow Sync 24 related, whether it's something he released on his label, remixed, or had a hand in producing.

Track #3 Viva La Differenze! by Jean-Louis Huhta is one I don't play often, an old one from Cari Lekebusch's label H-Productions, a dusty 10" I think I picked up at Zion's Gate. The next track in the mix, #4 Yet 2 B by Mystic Letter K, is a Lekebusch production put out on the old Electrix. So that's cool, a little connection between those two tracks.

Lastly I'd like to call out track #7 Untitled [E-SERIES01 B2] by Dietrich Schoenemann. That record is fantastic and I think a bit slept-on or overlooked. The production on it is weird, experimental. It has a strange stereo field. I've seen Schoenemann's name listed as mastering engineer fairly often recently (I see he runs a company called Complete Mastering) and that makes some sense to me given the sound of this EP. If you see a copy of E-SERIES01 The E.C. Breeders EP snap it up, it's great.

I think that's all the writing I have in me today. There's some weird ones in here, a few unusual choices, and that's always fun. (For me anyway). I'll be back next week Thursday evening with another mix, slower as usual.