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April

  1. Red Sonja: Queen of Plagues (2016, dir. Brian Ward). First watch. A "motion comic", a film comprised of voice acting, music, sound effects, and comic panels with little paper-doll like animation. The visual style and obviously low budget reminded me a bit of the '90s Berserk anime - detailed images with limited animation sliding around on-screen. The story (credited to Gail Simone) was engaging but the delivery left a lot to be desired. The pacing in particular felt really off. I can't recall a single image with no voiceover, like an establishing shot or a panel intended solely to set mood. The whole thing felt rushed, as though compressed for time. The voice acting was mixed - I liked Misty Lee as Red Sonja, and some of the other performances were fine (in a tabletop D&D sort of way), but some definitely took me out of the film. I'd never seen a "motion comic" before; I think there's something here, that the limitations of this form could yield something great. Red Sonja (2016) unfortunately fell a little short for me today. Having said that I would def. watch it again. And I should probably watch La Jetée again sometime soon too.
  2. One Missed Call (2003, dir. Takashi Miike). First watch. The easy thing to say here is that this is of a piece with Ringu and Kairo (Pulse). Technology, ghosts, curses, trauma. This seems to follow many of the beats of Ringu in particular. It does go past that, though, and has something unique to offer when it gets there. One Missed Call was much more restrained than what I expect from Takashi Miike (whose films I've avoided a long time on the assumption that he's nastier than I want to be around). There's a weird juggling of tone going on, parts feel serious, others feel schlocky (in a good scary-ghost monster-movie way). The middle segment of the film, where a young woman's foretold death is televised for profit, was a highlight for me & felt particularly ghoulish. Great setup, good performances, liked the sound & look of it (camera movement! visual distortion!), good movie. Watched a pretty low-quality copy with sketchy english subtitling; would like to see the proper official release sometime.
  3. Daughters of Darkness (1971, dir. Harry Kümel). First watch. "review" forthcoming.
  4. Payback (1999, dir. Brian Helgeland). Theatrical version. Rewatch, though it's been many (many!) years since I last saw it. A homage to '30s / '40s hardboiled crime fiction and '70s crime film. Also, I think, reads as a parody of the same. Sometimes the music choices, the staging, and the dialog felt like a joke to me, like winking. The whole thing felt kind of disjointed to me as a result. One moment Porter (Parker) is being uncomfortably sociopathic, the next there's a goofy action gag or one-liner that reminds me of Hudsown Hawk or Bugs Bunny. I should read the book at some point ("The Hunter" by Richard Stark AKA Donald Westlake). Should also watch the director's cut of Payback too, see how different it is.

March

  1. The Mission (1999, dir. Johnnie To). First watch. Wrote some disorganized thoughts about the film here.
  2. Overlord (1975, dir. Stuart Cooper). Rewatch, second time seeing this. Wrote a little about the movie in this toot here.

February

  1. Johnny Mnemonic (1995, dir. Robert Longo). Rewatch; first time seeing the black & white version. Watched with a group; missed the first 20 minutes. I'm pretty sure I first saw this in the theater when it was released in '95. I have mixed feelings on it. I think the main problem with it I have now is that it's just overstuffed. There's too much going on, nothing has space to breathe. A more straightforward adaptation of the short story would have been better in my opinion. I'd like to read the script at some point, see how close the film is to it. It's better in black & white, more textured, even reminds me of Tetsuo the Iron Man in a couple of places with the locations and background set dressing. Not a movie I'm interested in revisitng often but I'm glad to have caught a group viewing of it today.